I MULTIPLI are a new collection by Friul Mosaic.
In this collection, Friul Mosaic employs the mosaic technique to create surfaces or realize wall panels or floor, of even large dimensions, that are characterized by the assemblage of the design, the flexibility of use, the customization potential and characterization (based on the type, the subject, materials and colors) starting from a skill - the mosaic composition - that keeps its artisanship and still guarantees a unique result.
Each Multiplo is based on the unit of the handcut tile, 1x1, that shapes into an icon, which in turn represent thr unit of a larger and more complex design.
Multipli's influence can be found in the Pop Art experience of the 60s, from which some procedures and some insights are stylized.However, the result is not a total uniformity and repetition of the pattern because of the prodution technique of the mosaic, which relies on the laying of the smallest units of measure, each being different from the other; the expectation of complete evenness and duplication is impossible.
I MULTIPLI by Friul Mosaic redefine the ancient history of mosaic craft, with its load of memories, tradition, and time related to its production as well as its preservation based on pixel definition or wireframe models.
I MULTIPLI are made of natural material (stone, marble, gold in different essence and finishes) and handmade material (the Venetian enamels); these are naturally diverse materials, with their texture and bright peculiarities as well as their specific size that make each piece a unique work of art.
There are six categories of MULTIPLI: ICON, SHIFT, GRID, MEMORY, REALITY, TILE.
Simple repetition of the same module-icon unchanging to infinite.
Shape is the name of this version of MULTIPLI's basic pattern.
In this case, the icon is the silhouette of a female figure, a kind of graphic sign, a simple pattern realized with tiles made of black stone that stands out from a white background that absorbs the features allowing one only to guess her identity.
The strength of the composition derives from the movements of the recurrence of the icon that is constantly repeated in the same way, creating an extension towards the infinite.
Materials: polished marble
Installation's type: paper mounted mosaic then installed on mesh.
Processing: classical mosaic working process with the use of micro mosaic in the face area and opus background.