The expressionist painter left over 1100 paintings, 4500 drawings and watercolours, 18000 graphics, and 6000 books, along with letters and other documents. Originally preserved in the museum in Tøyen, which opened in 1963, his work is now housed and exhibited in this 13-storey, 26,300-m2 building. It is one of the world’s largest museums dedicated to a single artist, and a new architectural landmark in the Norwegian capital.
The monumental museum overlooks Oslo’s fjord and is a distinctive addition to the city’s skyline. It was designed by the Spanish architectural practice Estudio Herreros, founded by Juan Herreros and Jens Richter, in collaboration with the Norwegian firm LPO Arkitekter and features an imposing 60-metre-high tower inclined at a twenty-degree angle towards the waterfront of Bjørvika Bay. The building is clad in recycled, perforated aluminium panels of varying degrees of translucency that create an ever-changing perception of the building as it reacts to the city’s climate and light conditions throughout the day and the seasons. The wavy aluminium panels screen and reflect sunlight effectively to maintain a stable temperature inside the exhibition rooms.
Munch Museum - photo Tomasz Majewski
The interior of the tower is divided into two zones. The first is a “static” part with a reinforced concrete structure, which houses the works of art in specific light and humidity conditions. The second is a “dynamic” zone, where visitors can move from floor to floor while enjoying the view of the bay through the large glass facade. Indeed, this was the design concept: to create an art centre for both young and old that would act as a link between the works of the great Norwegian painter and the surrounding urban area.
The museum’s lighting design played an integral role in the development of its sustainability and was handled by Multiconsult, a construction and architectural consulting company. They chose L&L Luce&Light fixtures to light part of the building inside and out.
Munch Museum - photo Tomasz Majewski
Other L&L fixtures are used on the open terrace: LITUS 1.6 outdoor recessed fixtures, 2.5W, 4000K, with diffuse optics, set in the wooden floor at the base of the glazing, mark its outer edge, while RIVER WALL 2.0 linear profiles, 40W, 4000K, with 10°x40° elliptical optics and brackets, in a custom version with a grey finish, light the terrace access areas from above.
L&L Luce&Light on ARCHIPRODUCTS
Munch Museum - photo Dag Sandven
Munch Museum - photo Tomasz Majewski
Munch Museum - photo Dag Sandven