FENPEI By Paolo Castelli
A new way of experiencing conviviality that mirrors the most dynamic interpretations of space, in full awareness of the continuous evolutions taking place in the world of furniture.
Fenpei furnishes rooms with fine workmanship and the boldness of a flexible system composed of modules that transform into soft and welcoming islands of luxury. Each module is defined by an off-center seam that results in the splitting of the seat and seatback into two sections with contrasting colours, thus creating a colour play having strong graphic impact. Seats and backseats merge into an easily modular solution composed of soft, padded elements made of differentiated-density polyurethane wrapped in a microfiber staple plumette that alternate between the four available seat and two seatback variations. The counterweighted backseats can be positioned freely or anchored to the seats thanks to a functional and refined bamboo frog that sets the four seatbacks by hooking onto a leather lace placed on the seat.
The metal base, featuring matt Bronze Shadow epoxy finish, supports the overall volume, thus highlighting once again the incredible feeling of lightness. A balance that ensures maximum comfort and adapts to any environment, be it classic or contemporary.
Materials
- Structure: Metal, Wood
- Upholistery: Indoor fabrics, leather
Finishes
- Structure: Bronze shadow matt finish
- Upholistery: Fabrics cat. Superior, Deluxe, Eco-friendly leather TOP, Bovine leather, Nubuck For upholstery, refer to the Sample Chart.
Francesco Clemente A symphony of delicate balances between proportions, fantasy and research. An harmony of materials, finishes and precious essences that spontaneously finds its place in spaces pervaded by a naturalistic intimism, in atmospheres suspended between reality and dreams.
Acquerello is the new 2024 collection by Paolo Castelli, an ode to the whispered dialogue between form and colour and to pure freedom of expression. Indoor, outdoor furniture and lighting systems designed and conceived to trace an idea of beauty, in a tale made of signs and objects, symbols and simple rituals. Original and sophisticated, the handcrafted soul of the furniture undermines a modernist language, aimed almost exclusively at functionality, by virtue of an emotional and decorative aesthetic that invites the mind to travel, free to sense an elsewhere.